Recap: Louisville Auditions
Sorry so late with this recap. I'm still suffering from an Inauguration hangover. No, I wasn't among the throngs celebrating in Washington D.C. (sadly). Instead, I was working into the wee hours of the morning helping report on really important stuff... like who designed Michelle's outfits throughout the day (Isabel Toledo and Jason Wu, respectively). I hate that my already-cluttered and increasingly-feeble mind is bogged down with information like this.
Speaking of, I'm listening to the iTunes right now and it's on a truly random shuffle. While I'm sad to report that I'm prone to misplacing things like keys and eyeglasses mere moments after setting them down, I can still remember every single solitary word to "Science Fiction/Double Feature" from The Rocky Horror Picture Show soundtrack. And I can give that Barry Bostwick a real run for his money with "Dammit Janet." Seriously, Barry. Suck it. I gots to find myself some Rocky-related karaoke. It's a shame to let a talent like this go to waste.
I suppose I should start recapping the show, huh? But auditions are soooooooo boring. I would so rather talk about musicals centered around horny transsexual alien scientists who build beautiful men they can gay deflower mere minutes after their "birth"... Alas, that's not what I'm not paid to do here. Sigh. Okay, so... on with the show.
Last night's 60 minutes of torture came to us from Churchill Downs in Louisville, Kentucky. After being schooled by the locals on the proper way to pronounce their fine city (some crap about sounding like you need to clear a big ol' loog in your throat) we were beaten over the head with every Kentucky Derby reference known to man. Ew and then footage of people doing air guitar. I wanted to die. Correction: I wanted to kill those assholes first... and then die.
Here are the hi- and lowlights:
Tiffany Shedd
Performed: "Hero" by Mariah Carey
Let's go ahead and add Tiffany to the pile of talentless schmucks with absolutely no idea how bad they actually are. Tiffany's parents were there lending their full support, as they no doubt have done throughout Tiffany's life. They probably show up at school every time Tiffany does poorly on a test and they yell at the teacher and complain to the principal and try to get the poor teacher fired. Because the problem is never Tiffany. It's everyone else. Not their precious Tiffany. It's no coincidence that in addition to a horrendous singing voice, Tiffany's makeup looked like it was applied by a visually impaired hooker who time traveled from the Meatpacking District in the 80s. It's not Tiffany's lack of makeup skill, you see. The mirror, like everyone else, lies and distorts.
Verdict: So NOT going to Hollywood. Possible institutionalization after pleading insanity when brought up on double homicide charges. Her parents never saw it coming.
Joanna Pacitti
Performed: "We Belong" by Pat Benatar
I'm not sure if it was because we were informed that Joanna was signed (and then released by) A&M; Records that I was expecting the girl to blow me out of the water but really, she didn't do much for me. But Kara liked her and so did everyone else. Paula thought she was "worthy" which kind of threw me because it was both a tepid and succinct response. Those are not things I associate with Paula. However, I think Paula's economic turn of phrase was courtesy of a good edit in post-production.
Verdict: Going to Hollywood
Mark Mudd
Performed: "White Lightning" by George Jones
Mark Mudd is a descendent of Dr. Mudd, the dude who fixed John Wilkes Booth's leg after he injured it jumping from the balcony right after pumping Abraham Lincoln full of lead. Turns out, people don't take kindly to physicians who reset the legs of presidential assasins so keep that in mind, you bloody do-gooders! Before fashioning a splint for someone, check their hands for gunpowder or, you know, ask them if they've just murdered any public officials. If not, it's the clink for you! And, even worse, your last name will be used in a putdown that will be passed down through the ages. When you hear that someone's "name is mud," you can thank Mark's great-great-great grandpappy or whatever. Oh, also... Mark said he "almost died five times." I know I'm not supposed to giggle when someone says something like that but well... sorry, can't help myself.
Verdict: Not going to Hollywood. If Paula had her way, he'd be locked up. See, when leaving the audition, Mark issued a rather unfortunate salutation: "Be careful in whatever you do." Um, I'm pretty sure he was trying to say "Take care" but all those trips toward the light probably short-circuited something along the way. Paula was all, "That was a threat" but no one really seemed to care. Security didn't exactly pounce on the guy and then even Paula grew bored of her mock indignation and didn't pursue it any further.
Brent Keith Smith
Performed: "Can't Get Enough" by Bad Company
Decent singing voice but he looked a bit too much like Spencer Pratt for my liking. And Paula was all too happy to be his Heidi Whatsherface. She had that look in her eye... the very same look she gave Constantine Maroulis and Ace Young everytime they took the stage. A look that said, "I wish I had a tongue like a lizard so I could quickly roll it out, lick you and retract it all without leaving this here table... not because I'm lazy, mind you, but because the Oxycontin hasn't kicked in yet and I've the jimmy legs, so we'll both have to settle for a remote licking."
Verdict: Going to Hollywood.
Patrick Warner
Performed: "Billie Jean" by Michael Jackson
Patrick wore a big-ass white t-shirt with his name on it in big block letters. It was a really unfortunate clothing choice, for many reasons, but mostly because it made him look just like Martha Dumptruck. Swap out "Patrick" for "Big Fun" and we'd have ourselves a dead ringer.
Verdict: Not going to Hollywood. Possible herniated disks caused by pressure and strain from ill-advised pelvic thrusting.
Matt Giraud
Performed: "I Don't Wanna Be" by Gavin DeGraw
Matt told us that he was a "dueling piano player." He then explained what it was but I missed most of his explanation because I was too busy thinking about the weird-looking kid from the "Dueling Banjos" scene in Deliverance, which then made me think of the scene where Ned Beatty was told to squeal like a pig and, from there, it usually takes me a good 30 minutes to return from the dark, scary place I go to whenever I think of Ned Beatty's dimply white ass being violated by overall-clad hillbillies with heroin teeth.
Verdict: Going to Hollywood.
Ross Plavsic
Performed: "Cara Mia" by Jay and the Americans
Ross was a dorky fellow with a tremendous set of buckteeth and a penchant for discovering repeating patterns in Asian lettering. Like, for fun. I feel all smart when I can find a four-letter word in Facebook's Scramble application and here he's deciphering codes and algorithms in another language. He still can't sing for shit but, uh, I guess that hobby of his will pay off... somehow.
Verdict: Not going to Hollywood... or getting laid. Ever.
Alexis Grace
Performed: "Dr. Feelgood" by Aretha Franklin
She was good but she pinged my "Possibly Annoying" meter for some reason. Jury's out though. I could issue a retraction down the road. Or an I told you so. We'll see. The judges all gave her pass to Hollywood. Kara took it a step further and issued these words of advice: "Don't wear pink" and "Make love to your fiance." Alexis then reported Kara to American Idol Human Resources and Kara is currently undergoing sensitivity training where she has to watch those poorly-acted reenactments of sexual harrassment usually involving an unwanted neck/shoulder massage in the pantry.
Aaron Williamson
Performed: "Have You Ever Seen the Rain?" by Credence Clearwater Revival
Aaron was the dude who went "Woooooooooooooooooooooo!" a lot. And I'm not going to lie to you... before he started to sing, I was buying into his confidence. I was supremely annoyed by his enthusiasm, of course, but he totally snowed me into thinking he had the goods to back up all his hysterical hooting and hollering. And well, he didn't. He sounded like John Fogerty... if John Fogerty was in desperate need of Colace while yell-singing from a burning building.
Verdict: Not going to Hollywood.
Rebecca Garcia
Performed: "Before He Cheats" by Carrie Underwood
This was laughably bad. So comical in its crapitude that Kara suggested it was all a big goof. See, Kara skimmed the background notes and saw that Rebecca was voted "Most Humorous" in high school and, naturally, that can only mean one thing -- Rebecca Garcia was really Howie Mandel in disguise. Kara was all "J'accuse!" and was trying to get the judges to see they were all being punked by Howie in drag. And that's precisely when Rebecca's lip started to tremble and then came the tears and it was apparent to everyone, including a horrified Kara, that Rebecca was, in fact, earnest in her attempt. And then Kara felt like a tremendous douche and was hustled back into sensitivity training as soon as production wrapped for the day.
Leneshe Young
Peformed: "Natty" (Original song)
Damn! An original song that didn't suck. I loved Leneshe and so did all the judges. Unless she chokes during Hollywood Week, I think we'll see her in the Top 12.
And that's that. Come back next week for more bitching and complaining about the auditions. Only two more to go!
Labels: auditions, curly, louisville, recap, season-8